Fans will not want to miss this comprehensive account of one of today's most talented and prodigious animators. The book showcases not only full color illustrations but also rare rough sketches that provide an illuminating glimpse into Sushio's creative process. The illustrations from EVANGELION merchandise for the movie will amaze fans as never-before-seen rare works of Sushio. All these illustrations are intended to be used as communication tools on social media (see social media below).Some are old illustrations I did for Sushi some time ago, reworked for the occasion. This book also features Sushio's illustrations of AKIRA: two original illustrations depicting the imaginary post-AKIRA world, which was officially approved by Katsuhiro Otomo himself, and two illustrations taken from Otomo's tribute book. I have created illustrations that contextualise the little character Sushimi in different situations/universes or crypto-themes. It features notable works from Kill La Kill, Gurren Lagann, Momoiro Clover Z, along with a panel illustration of Anime Matsuri 2015, his work overseas for an annual anime convention held in Texas, and much more. This book is his long-awaited first commercial collection that looks back over his career to date. After drawing animation for many renowned anime series and movies such as One Piece, in 2013 he did the character design of the internationally big hit anime series Kill La Kill which took him to the pinnacle of his career. He then studied character animation at the new California Institute of the Arts, before joining Disney as an animator in 1979. Born in 1957, Lasseter was obsessed with cartoons as a kid. Sushio is a Japanese animator and illustrator who started his career as an animator at studio Gainax working their world-famous TV animation series Neon Genesis Evangelion (1995). There is no better example of an animator who parlayed a love of animation into a big time career than John Lasseter. Sushio’s drawings are each presented without comment, but there’s surely something curious about the story behind them-and hopeful.The complete collection of today's most talented animator. So, why is Ryuko thinking of Senketsu, presumably on her way to meet Houka in the park, who studies something on his computer? What is Mako surprised about? Blizzard may be planning a future where AI plays a critical role in designing art and characters for their multiplayer games. Sushio is a Japanese animator and illustrator who started his career as an animator at studio Gainax working their world-famous TV animation series Neon Genesis. Ryuko is not merely wearing a red scarf, but she clutches it, looking up to the sky-an act that has been previously established to mean her thinking of Senketsu, with both episode 24 and the OVA ending on that note. In Sushio’s own featured art above, such ideas are clearly portrayed. Fellow Kill la Kill animator Kengo Saito also placed particular emphasis on the red scarf in his own post-series fanart for the show, deliberately coloring it and Ryuko’s characteristic hair streak red whilst leaving the rest of his drawings largely uncolored-ultimately hinting that, from a design standpoint, the red scarf is significant on a narrative level. Notably, the scarf is arguably a symbolic representation of Ryuko’s friendship with Senketsu not only could it be read as a callback to the time she wore him as a scarf, but the red scarf itself is especially emphasized in the ending scene of episode 24, wherein Ryuko thinks fondly of Senketsu and clutches her heart, where his eye used to rest. The main plot of Kill la Kill finished in the spring, but here Ryuko is, in the fall, still wearing her old sukeban jacket… and her red scarf. While the images are not not overtly connected in an overarching storyline as some of Sushio’s other fannish comics are (for instance, his Christmas comic from 2015), the shared autumn colors here-and the fact that each drawing was posted one right after the other-indicates a link.Īnd when considering that link, perhaps what is most telling is the first-posted image of Ryuko. The drawings are loose, sparsely-colored sketches that depict Ryuko, Houka, and Mako (and Guts) enjoying the fall. add Character Design, Chief Animation Director, Animation Director (ep 1, OP, ED), 2nd Key Animation (ep 7), Key Animation (ep 4, 6) TV, Fall 2013 1652978 20131004000032 8. Back on November 7, Kill la Kill character designer and animator Sushio posted three pieces of his own fanart for the show on his Twitter account.
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